Tupac Shakur
In the Event of My Demise
In the event of my Demise
when my heart can beat no more
I Hope I Die
For A Principleor A
Belief that I had Lived 4
I will die Before My Time
Because I feel the shadow's Depth
so much I wanted 2 accomplish
before I reached my Death
I have come 2 grips
with the possibility
and wiped the last tear from my eyes
I Loved All who were Positive
In the event of my Demise
Langston Hughes Poetry
"Night Funeral in Harlem "
Night funeral
In Harlem:
Where did they get
Them two fine cars?
Insurance man, he did not pay--
His insurance lapsed the other day--
Yet they got a satin box
for his head to lay.
Night funeral
In Harlem:
Who was it sent
That wreath of flowers?
Them flowers came
from that poor boy's friends--
They'll want flowers, too,
When they meet their ends.
Night funeral
in Harlem:
Who preached that
Black boy to his grave?
Old preacher man
Preached that boy away--
Charged Five Dollars
His girl friend had to pay.
Night funeral
In Harlem:
When it was all over
And the lid shut on his head
and the organ had done played
and the last prayers been said
and six pallbearers
Carried him out for dead
And off down Lenox Avenue
That long black hearse done sped,
The street light
At his corner
Shined just like a tear--
That boy that they was mournin'
Was so dear, so dear
To them folks that brought the flowers,
To that girl who paid the preacher man--
It was all their tears that made
That poor boy's
Funeral grand.
Night funeral
In Harlem.
Tupac: Ghetto Gospel Lyrics
If I could recollect before my hood dayz
I would sit in bliss and reminis on the good dayz.
I stop and stare at the younger, my heart goes to'em
They stressed and goin under.
We never really went through that Cause we was born
Today things change, it's a shame
They blame it on the youth cause the truth look strange
For them it;s worse, we come from a world that;s cursed
And it hurts.
Cause any day they;ll push the button.
And y;all condemned like malcom x and uncle bob
They died for nothin.
Make the people teary, the world looks dreary
But when you wipe your eyes you see it clearly.
There's no need for you to fear me.
If you take the time to hear me, maybe you can learn to cheer me.
It ain't about black or white, both doin I hope you see the light before it's ruined
My ghetto gospel
It's ok, it's ok, it's ok
My ghetto gospel
Tell me do you see that old lady she ain't sad
Living out a bag, in rags, loving the things she has
Over there see that lady, the cracks got her crazy.
And she's gonna give birth to a baby?
I shouldnt let it phase me.
We out of the projects
Jumped into another form of slavery.
And even now I get discouraged.
I wonder if its tooken all back will I still keep the courage.
I refuse to be a role model.
I keep control on the hoes and take out my old bottle.
I make mistakes, I learn from everyone.
And when its said and done, ill be called a better one.
If I strecth you dont stretch.
Never forget, god is gonna finish with me yet.
I feel his hands on my brain.
When I write ryhmes, i go blind, and let the lord do this thing. But am I any less holy, I
choose to puff a blunt and drink a beer with my homies
And then world peace, we tried and failed
Now there's war in the streets
My ghetto gospel
I remember grandmas hands use to hold me
Mold me, I never forget the things she told me
Brothas a butt, and played the big shot
But you know grannys are the only other thing lil ghetto kids got.
Mom's work, and pop's burried.
Drop me off at granny's, left without a heart cause she's worried
And ghetto grannys are like books.
We got some many crooks, so many granny's gettin shook.
And gettin trapped in a nursing home.
Times is hard, and even worse alone
And how could you be so cold,
Youll get your turn, as soon as you turn old.
All they ask of every person,
Is for a brotha to figure whats on his mind when he's cursin.
9 out of 10 youll find them problems.
Time to take listen and see what you can do to solve them. Cause every body needs a little help
On the way of relying on ones self.
And think about it, why 2pac hit you with a little ghetto gospel My ghetto gospel
I wake up stone cold gangsta main
See ya gave me ghetto gospel, i thank you main
Use to roll in the back and do drugs a lot.
Now im bangin the tracks, slangin ryhmes I got.
In this world of greed tryin to succeed on my beliefs.
Now I lay me down to sleep, lord can you hear me speak.
Can you forgive me for my sins
If I had it all to do again, id still play to win I hope the lord can understand me.
A mans gotta do what he can for his family.
And pay the price of being hellbound.
But i ratha see hell later than see hell now.
And the devil aint got nothin on the president.
Cut back and keep us trapped in our residence.
And be like animals in cages.
We can rant and rave about slavery for ages.
Or we can stop makin awful
And hitem with a lil ghetto gospel My ghetto gospel.
Hughes "Weary Blues"
1 Droning a drowsy syncopated tune,
2 Rocking back and forth to a mellow croon,
3 I heard a Negro play.
4 Down on Lenox Avenue the other night
5 By the pale dull pallor of an old gas light
6 He did a lazy sway ....
7 He did a lazy sway ....
8 To the tune o' those Weary Blues.
9 With his ebony hands on each ivory key
10 He made that poor piano moan with melody.
11 O Blues!
12 Swaying to and fro on his rickety stool
13 He played that sad raggy tune like a musical fool.
14 Sweet Blues!
15 Coming from a black man's soul.
16 O Blues!
17 In a deep song voice with a melancholy tone
18 I heard that Negro sing, that old piano moan--
19 "Ain't got nobody in all this world,
20 Ain't got nobody but ma self.
21 I's gwine to quit ma frownin'
22 And put ma troubles on the shelf."
23 Thump, thump, thump, went his foot on the floor.
24 He played a few chords then he sang some more--
25 "I got the Weary Blues
26 And I can't be satisfied.
27 Got the Weary Blues
28 And can't be satisfied--
29 I ain't happy no mo'
30 And I wish that I had died."
31 And far into the night he crooned that tune.
32 The stars went out and so did the moon.
33 The singer stopped playing and went to bed
34 While the Weary Blues echoed through his head.
35 He slept like a rock or a man that's dead.
Thursday, October 11, 2007
HUGHES / SHAKUR POETRY
By a number of various definitions the word “gospel” refers to the teachings of life. In reference to the theme “Ghetto Gospel” this too speaks of the teachings of life but within the context of the ghetto. Tupac Shakur speaks of this in a way which illustrates the particular social conditions and behaviors of the environment he has experienced.
2.
The upside of poetry challenges us to think for ourselves and leaves us to find our own significant connection and meaning. The images evoked by poetry leave the creative direction of a minds eye view up to the audience whereas video already has selected images imposed on the audience to accept. This is the downside of videos in that it dictates what and how we should think, enabling us from finding our own perspectives. However the upside of video can occur if the artist feels they have captured the specific messages he/she wished to relay.
3.
The build up to this line “We out of the projects/ jumped into another form of slavery” speaks about his ancestry and how he never directly experienced what they did, but how instead he does know how the experience has been passed on where African American youth today may not realize this. He then goes into how the truth has been distorted and how it is viewed upon today as an awkward subject. He further mentions this inherited oppression and projects volatility in the trust amongst people. Then he goes into a plea for unity, shortly followed by the hook and then the conditions of woman affected by her environment. It is here he drops this line. My guess, knowing that his mom was a Black Panther and later a crack addict, is that his depth is nearly fully developed of this aspect in reality and has been expereinced firsthand in his own life.
4A.
The one word that I choose for Shakur’s view on death is “Narcissism” or insecurity as the emotion. I don’t believe it is anyone’s intention to not be dwelled upon especially when they themselves give specific direction. It could be a helpful way of providing insight on how to cope with loss, but not for me regarding Shakur. The use of the “don’t miss me when I’m gone” approach to me means you should think of me as a strong willed person and miss me as much as possible. This I think would be out of the narcissistic fear of being forgotten. Celebrities, who all their lives aspire towards stardom are often in need of this attention and find it hard to let go once in the spotlight. I think nowadays the more modern a society the more bountiful number of options we have. Therefore death is almost looked upon in unsatisfactory like way with life and all it has to offer because there was usually so much missed.
4B.
As for Hughes, he comes from a different era in American life where there were not so many options to confuse ourselves with. His simplicity and appreciation to smaller details of things make his view towards death fitting and beautifully natural. Or at least I may be biased towards my view because his time of life and descriptiveness is that of a style unfamiliar to me. This may bring more light towards attention than that of something similarly written recently. The one word in emotion that comes to mind is resentment. However blame really comes more to mind to be more exact. He assigns causes and that is blame. Blame turns into resentment and that’s the best word I’ve got.
5.
Tragedy and the common woes of life are often expressed as an instrumental cry in blues music. Hughes poem has words that rhyme which give it a melodic tone. He reverts back to his hook in an upbeat fashion after insight he provides of down tone scenes. This up down quality with consistency in Hughes poem is commonly known in music as being of a _____________melody. (I forgot, but will edit)
2 comments:
Hi,
When you say that Hughes comes from a different era, I find that interesting. I never thought about that aspect while I was writing my assignment. I think that it is true in the way that he looks at things and comes to his conclusions.
When creating a video to accompany music, there is always a risk of getting the director's vision rather than the vision of the artist. There have been songs that I've listened to that have left me in a state of awe, then I see the video and it just doesn't fit. I felt that the video to "Ghetto Gospel" did fit the vision of Tupac, making it almost as effective as the song.
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